• Original broadcasts: • •: • Original release July 5, 1989 ( 1989-07-05) – May 14, 1998 ( 1998-05-14) External links Website Seinfeld is an American television that ran for nine seasons on, from 1989 to 1998. It was created by and, with the latter starring as. Set predominantly in an apartment building in 's in New York City, the show features a handful of Jerry's friends and acquaintances, particularly best friend (), former girlfriend (), and neighbor across the hall (). It is often described as being 'a show about nothing', as many of its episodes are about the minutiae of daily life. Seinfeld was produced. In syndication, the series has been distributed by since 2002.

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It was largely written by David and Seinfeld with script writers who included,,,,,,,,,,,,,,, and. A favorite among critics, the series led the in seasons six and nine, and finished among the top two (with NBC's ) every year from 1994 to 1998. Seinfeld is widely considered to be one of the greatest and most influential sitcoms ever made. It has been ranked among the best television shows of all time in publications such as,, and. The show's most renowned episodes include ', ', and '. In 2013, the voted it the No.

2 Best Written TV Series of All Time (second to ). Named the series the 'number 1 reason the '90s ruled', and quotes from numerous episodes have become catchphrases in popular culture. Jerry Seinfeld (upper left); Jason Alexander (upper right); Michael Richards (lower right); Julia Louis-Dreyfus (lower left) • () – Jerry is a 'minor ' who is often depicted as ' amidst the general insanity generated by the people in his world. The in-show character is a mild and, as well as an avid, and fan. Jerry's apartment is the center of a world visited by his eccentric friends and a focus of the show.

• () – Elaine is Jerry's ex-girlfriend and later friend. Driver Improvement Program Test Questions. She is attractive and genial, while also being humorous, arrogant and occasionally impulsive. She sometimes has a tendency to be too honest with people (usually by losing her temper), which often gets her into trouble. She usually gets caught up in her boyfriends' quirks, eccentric employers' unusual behaviors and idiosyncrasies, and the maladjustment of total strangers.

She tends to make poor choices in men she chooses to date and is often overly reactive. First she works at Pendant Publishing with Mr. Lippman, is later hired as a personal assistant for Mr. Pitt, and later works for the J. Peterman catalogue as a glorified assistant. Elaine is popularly described as an amalgamation of David's and Seinfeld's girlfriends during their early days in New York as struggling comedians. • () – Kramer is Jerry's 'wacky neighbor'.

His trademarks include his humorous upright, vintage clothes, and energetic sliding bursts through Jerry's apartment door. Kramer was heavily based on a neighbor of David's during his amateur comedic years in Manhattan. At times, he appears, gullible, and ignorant, and at other times, intelligent, understanding, and well-read; similarly, he is exaggeratedly successful, socially, with his charisma and laid-back personality. This is seen in his success with women and employers. He has been described as a 'hipster doofus'. Although he never holds a steady job, he is rarely short of money and often invents wacky schemes that often work at first then eventually fail. Kramer is longtime friends with, and they work well together despite their differences.

• () – George is Jerry's best friend, and has been since high school. He is miserly, dishonest, petty and envious of others' achievements. He is depicted as a loser who is perpetually insecure about his capabilities.

He complains and lies easily about his profession, relationships and almost everything else, which usually creates trouble for him later. He often uses the alias Art Vandelay when lying or concocting a cover story. Despite these shortcomings, George has a sense of loyalty to his friends and success in dating women and eventually secures a successful career as Assistant to the Traveling Secretary for the. Main article: Many characters have made multiple appearances, like Jerry's nemesis and his. In addition to recurring characters, Seinfeld features numerous celebs who appear as themselves or girlfriends, boyfriends, bosses and other acquaintances. Many actors who made guest appearances became household names later in their careers, or were already well known.

Plotlines [ ] Many Seinfeld episodes are based on the writers' real-life experiences, with the experiences re-interpreted for the characters' storyline. For example, George's storyline, ', is based on Larry David's experience. ' is also based on David's experiences. ' storyline is based on Peter Mehlman's lawyer friend, who could not get a bad smell out of his car. ' is based on Dan O'Keefe's dad, who made up his own holiday—. Other stories take on a variety of turns.

' consists of George, Jerry and Elaine waiting for a table throughout the entire episode. ', revolving around, extends through 2 episodes. ' is famous for using, and was inspired by a similar plot device in a play,. Some stories were inspired by headlines and rumors, as explained in the DVD features 'Notes About Nothing', 'Inside Look', and 'Audio Commentary'.

In ', Kramer's lawsuit is roughly similar to the. ' is based primarily on rumors that Larry Charles heard about Jerry Seinfeld's sexuality. Themes [ ] The series was often described as 'a show about nothing'. However, Seinfeld in 2014 stated 'the pitch for the show, the real pitch, when Larry and I went to NBC in 1988, was we want to show how a comedian gets his material. The show about nothing was just a joke in an episode many years later, and Larry and I to this day are surprised that it caught on as a way that people describe the show, because to us it's the opposite of that. Free Download Lagu Dangdut Koplo Kereta Malam Soimah. ' Seinfeld broke several conventions of television.

The show offers no growth or reconciliation to its characters. It eschews sentimentality. An episode is typically driven by humor interspersed with the superficial conflicts of characters with peculiar dispositions. Many episodes revolve around the characters' involvement in the lives of others with typically disastrous results. On the set, the notion that the characters should not develop or improve throughout the series was expressed as the 'no hugging, no learning' rule. Also unlike most sitcoms, there are no moments of; the audience is never made to feel sorry for any of the characters.

Even elicits no genuine emotions from anybody in the show. The characters are 'thirty-something singles with vague identities, no roots, and conscious indifference to morals'. Usual conventions, like isolating the characters from the actors playing them and separating the characters' world from that of the actors and audience, were broken. One such example is the where the characters promote a TV sitcom series named Jerry. The, Jerry, was much like Seinfeld in that it was 'about nothing' and Seinfeld played himself.

The fictional Jerry was launched in the season four finale, but unlike Seinfeld, it wasn't picked up as a series. Jerry is one of many examples of in the show. There are no fewer than twenty-two fictional movies featured, like Rochelle, Rochelle. Because of these several elements, Seinfeld became the first TV series since to be widely described as.

Catchphrases [ ] Many terms were coined, popularized, or re-popularized in the series' run and have become part of popular culture. Notable catchphrases and terms include: • ' • ' • ' • ' • • • • • The lexicon of Seinfeldian code words and recurring phrases that evolved around particular episodes is referred to as, the title of Jerry Seinfeld's best-selling book on humor. Music [ ] A signature of Seinfeld is its theme music. Composed by, it consists of distinct solo bass riffs (played on a synthesizer) which open the show and connect the scenes, often accompanied.

The bass synthesizer music eventually replaced the original music by Jep Epstein when it was played again after the first broadcast '. The show lacked a traditional title track and the riffs were played over the first moments of dialogue or action.

They vary throughout each episode and are played in an improvised funk style. An additional musical theme with an ensemble, led by a synthesized mid-range brass instrument, ends each episode. In ', the first episode of season three, the bumper music featured a female jazz singer who sang a phrase that sounded like 'easy to beat'. Jerry Seinfeld and executive producer Larry David both liked Wolff's additions, and three episodes were produced with this new style music. However, they had neglected to inform NBC and Castle Rock executives of the change, and when the season premiere aired, the executives were surprised and unimpressed, and requested that they return to the original style. The subsequent two episodes were redone, leaving this episode as the only one with additional music elements.

In the commentary of 'The Note', Louis-Dreyfus facetiously suggests it was removed because the perceived lyric related closely to the low ratings at the time. In the final three seasons, the bits were tweaked slightly with more frantic rhythms; a bass guitar was added in addition to the sampled bass from earlier seasons. Throughout the show, the main theme could be re-styled in different ways depending on the episode. For instance, in 'The Betrayal', part of which takes place in India, the theme is heard played on a. Episodes [ ].

A diner at 112th St. And, in that was used as the exterior image of in the show Many characters were based primarily on Seinfeld's and David's real-life acquaintances. Two prominent recurring characters were based on well-known people: of the catalog (based on ), and, owner of the. Many characters were introduced as new writers got involved with Seinfeld.

Other characters based on real people include the and based on. Seinfeld follows its own structure: story thread is presented at the beginning of every episode, which involves the characters starting in their own situations. Rapid scene-shifts between plot lines bring the stories together. Even though it does not follow a pattern as other sitcoms, the characters' stories variously intertwine in each episode. Despite the separate plot strands, the narratives reveal the creators' 'consistent efforts to maintain the intimacy' among the small cast of characters. The show maintains a strong sense of —characters and plots from past episodes are often referenced or expanded on. Occasionally, story arcs span multiple episodes and even entire seasons, the most memorable being, which revolved around the pitch to NBC by Jerry and George.

Another example is Jerry's girlfriend Vanessa, who appears in ' and he ends the relationship when things do not work out in '. Other examples are Kramer getting his jacket back and Elaine heading the 'Peterman catalog'., the head writer and executive producer for the first seven seasons, was praised for keeping a close eye on minor details and making sure the main characters' lives remained consistent and believable. —David's later comedy series—expanded on this idea by following a specific theme for all but one season in the series. A major difference between Seinfeld and sitcoms which preceded it is that the principal characters never learn from their mistakes. In effect, they are indifferent and even callous towards the outside world and sometimes one another. A of the show's producers was: 'No hugging, no learning'. 's TV critic has described them as 'a group dynamic rooted in jealousy, rage, insecurity, despair, hopelessness, and a touching lack of faith in one's fellow human beings'.

This leads to very few happy endings, except at somebody else's expense. More often in every episode, situations resolve with characters getting a justly deserved.

Seasons 1–3 [ ]. The Los Angeles building used to depict the exterior of Jerry's apartment building at 129 West 81st Street, Manhattan The show premiered as on July 5, 1989. After it aired, a pickup by NBC seemed unlikely and the show was offered to, which declined to pick it up., head of late night and special events for NBC, however, diverted money from his budget by canceling a, and the next 4 episodes were filmed. These episodes were highly rated as they followed summer re-runs of on Thursdays at 9:30 p.m., and the series was finally picked up. At one point NBC considered airing these episodes on Saturdays at 10:30 p.m., but gave that slot to a short-lived sitcom called FM. The series was renamed Seinfeld after the failure of short-lived 1990 series The Marshall Chronicles.

After airing in the summer of 1990, NBC ordered thirteen more episodes. Larry David believed that he and Jerry Seinfeld had no more stories to tell, and advised Seinfeld to turn down the order, but Seinfeld agreed to the additional episodes. Season two was bumped off its scheduled premiere of January 16, 1991, due to the outbreak of the. It settled into a regular time slot on Wednesdays at 9:30 p.m. And eventually flipped with veteran series to 9:00. TV critics championed Seinfeld in its early seasons, even as it was slow to cultivate a substantial audience. For the first three seasons, Jerry's stand-up comedy act would bookend an episode, even functioning as during the show.

A few episodes set a benchmark for later seasons. ' establishes Jerry and Elaine's relationship by setting rules about sleeping together and remaining friends. ' was the first episode shot with no audience for the episode and, after ', with not showing Jerry's apartment. ' contains a crossover to show, marking the first such cooperation between rival networks. ' introduces George, Kramer and Elaine as having their own storylines for the first time. Although Castle Rock Entertainment's Glenn Padnick thought Jerry Seinfeld was too generous, showcasing his co-stars' comedic talent became a trademark throughout the series.

Larry Charles wrote an episode for season two, 'The Bet', in which Elaine buys a gun from Kramer's friend. This episode wasn't filmed because the content was deemed unacceptable, and was replaced by the episode '. ', aired in season three, was intended for season two. In the beginning of this episode, Jerry clears up the continuity error over George's real estate job. Seasons 4–5 [ ] Season four marked the sitcom's entry into the Top 30, coinciding with several popular episodes, such as ' in which George and the bubble boy argue over, and ' in which Jerry and Kramer accidentally fumble a mint in the operating room. This was the first season to use a story arc of Jerry and George creating their own sitcom, Jerry.

Also at this time, the use of Jerry's stand-up act slowly declined, and the stand-up segment in the middle of Seinfeld episodes was cut. Much publicity followed the controversial episode, ', an -winning episode written by co-creator Larry David, whose subject matter was considered inappropriate for prime time network TV. To circumvent this taboo, the word ' was never used in the script, instead substituted for by a variety of oblique references. Midway through that season, Seinfeld was moved from its original 9:00 p.m. Time slot on Wednesdays to 9:30 p.m. On Thursdays, following again, which gave the show even more popularity. Ratings also sparked the move, as Tim Allen's sitcom on ABC had aired at the same time and Improvement kept beating Seinfeld in the ratings.

Moved the series after announced the end of Cheers and Seinfeld quickly surpassed the ratings of the 9:00 p.m. Cheers reruns that spring.

The show won an Emmy Award for Outstanding Comedy Series in 1993, beating out its family-oriented, time-slot competitor, which was only in its second season on fellow network ABC. Season five was an even bigger ratings-hit, consisting of popular episodes, such as ' in which Jerry feels embarrassed wearing a 'pirate' shirt on, ' featuring, the then-mayor-elect of New York, and ' in which George, doing the opposite of what his instincts tell him he should do, lands a job with the and Elaine leaves 'Pendant Publishing' because of a comedy of errors that lead to its demise. Another story arc has George returning to live with his parents. In the midst of the story arc, Kramer creates and promotes his. The show was again nominated for Outstanding Comedy Series, but lost to the Cheers spin-off, then in its first season. Seinfeld was nominated for the same award every year for its entire run but always lost to Frasier, which went on to win a record thirty-nine Emmy Awards. Seasons 6–7 [ ] With Season six, replaced as director of the show.

The series remained well-regarded and produced some of its most famous episodes, such as ' in which Jerry is put through a lie detector test to make him admit that he watched, ' in which Kramer's mom, Babs, reveals that his first name is Cosmo, and ' in which Elaine meets J. Peterman for the first time. Story arcs used in this season were Elaine working as a personal assistant to her eccentric boss Justin Pitt and George's parents' temporary separation. This was the first season win which Seinfeld reached No. 1 in the Nielsen Ratings. The use of Jerry's stand-up act declined with the end stand-up segment no longer appearing, as the storylines for all four characters grew denser. In season seven, a story arc involved George getting engaged to his ex-girlfriend, Susan Ross, after the pilot Jerry proved unsuccessful.

In it, George spends most of the season regretting and trying to get out of the engagement. Along with the regular half-hour episodes, two notable one-hour episodes were ' in which George plans to date award-winning actor and ' with Elaine and Sue Ellen participating in a bidding war to buy JFK's golf clubs in an auction.

Seasons 8–9 [ ] The show's ratings were still going strong in its final two seasons. Larry David left at the end of season seven, although he continued to voice Steinbrenner, so Seinfeld assumed David's duties as, and, under the direction of a new writing staff, Seinfeld became a faster-paced show.

The show no longer contained extracts of Jerry performing stand-up comedy—Jerry had no time or energy for this with his new responsibilities—and storylines occasionally delved into fantasy and broad humor. For example, in ', Elaine is torn between exact opposites of her friends and Jerry dates a woman who has the now-famed 'man hands'. Some notable episodes from season eight include ' showing Elaine's horrible dancing, and ' which portrays the chicken restaurant which opened during that time. A story arc in this season involves Peterman going to in ' until he recovered from a nervous breakdown in ', followed by Elaine writing Peterman's biography in ', which leads to Kramer's parody of Kenny Kramer's Reality Tour seen in '. The final season included episodes like ' in which Kramer converts his apartment into a talk-show studio and plays the character of talk-show host, ' that presents in reverse chronological order what happened to Sue Ellen's wedding in India, and ' in which George pushes a machine across the street.

The last season included a story arc in which Elaine has an on/off relationship with. Despite the enormous popularity and willingness of the cast to return for a tenth season, Seinfeld decided to end the show after season nine, believing he would thereby be able to ensure the show would maintain its quality and go out on top. NBC offered him over $100 million for a tenth season, but Seinfeld declined the offer. [ ] A major controversy caused in this final season was the accidental burning of a by Kramer in '.

This scene caused a furor among Puerto Ricans, and as a result, NBC showed this episode only once. However, Jerry Seinfeld defused the protestors by not letting this episode continue in syndication, as revealed in 'Inside Look' on DVD.

Series finale [ ]. Main article: After nine years on the air, NBC and Jerry Seinfeld announced on December 25, 1997, that the series would end production the following spring in 1998. The announcement made the front page of the major New York newspapers, including the. Jerry Seinfeld was featured on the cover of magazine's first issue of 1998. The series ended with a seventy-five-minute episode (cut to 60 minutes in, in two parts) written by co-creator and ex-executive producer Larry David, which aired on May 14, 1998. Before the finale, a forty-five-minute retrospective clip show, ', was aired.

The retrospective was expanded to an hour after the original airing and aired again on NBC as an hour-long episode, and has since aired in syndication. It was the first episode since the finale of season seven, ', to feature opening and closing stand-up comedy acts by Jerry Seinfeld. The finale was filmed before an audience of NBC executives and friends of the show. The press and public were shut out of the taping in order to keep its plot secret; those who attended the shoot of the final episode were required to sign written 'vows of silence'. The secrecy only seemed to increase speculation about how the series would end.

The producers of the show tweaked the media about the hype, spreading a false rumor about Newman ending up in the hospital and Jerry and Elaine sitting in a chapel, presumably to marry. The final episode enjoyed a historic audience, estimated at 76.3 million viewers (58% of all viewers that night) making it the in U.S. TV history, behind, and.

However, the finale received mixed reviews from critics and fans of the show. The finale poked fun at the many rumors that were circulating, seeming to move into multiple supposed plots before settling on its true storyline—a lengthy trial where the gang is prosecuted for violating a ' and sentenced to prison terms. According to magazine, Jerry Seinfeld's earnings from the show in 1998 came to US$267 million, including syndication earnings. He refused NBC's offer of $5 million per episode, or over $100 million total, to continue the show into a tenth season. The offer NBC made to Seinfeld was over three times higher per episode than anyone on TV had ever been offered before. Seinfeld told the network that he was not married nor had children, and wished to focus on his personal life.

As reported in July 2007, he was the second-highest earner in the TV industry, earning at the time $60 million a year. The show became the first TV series to command over $1 million a minute for advertising–a mark previously attained only by the. Syndication [ ] According to, chairman of, Seinfeld made $2.7 billion through June 2010. As of February 2017 the show has made an estimated $4.06 billion in syndication., who invested in the show, later said 'We calculated what it would get us if it made it to syndication.

We were wrong by a factor of five'. Production [ ] Seinfeld began as a twenty-three-minute pilot titled. Created by and, developed by NBC executive Rick Ludwin, and produced by, it was a mix of Seinfeld's stand-up comedy routines and idiosyncratic, conversational scenes focusing on mundane aspects of everyday life like laundry, the buttoning of the top button on one's shirt and the effort by men to properly interpret the intent of women spending the night in Seinfeld's apartment. The pilot was filmed at Stage 8 of studios, the same studio where was filmed (this was seen by the crew as a good omen), and was recorded at Ren-Mar Studios in.

The pilot was first screened to a group of two dozen NBC executives in in early 1989. It didn't yield the explosion of laughter garnered by the pilots for the decade's previous NBC successes like and., was not convinced that the show would work. A Jewish man from New York himself, Tartikoff characterized it as 'Too New York, too Jewish'. Test audiences were even harsher. NBC's practice at the time was to recruit 400 households by phone to ask them to evaluate pilots it aired on an unused channel on its cable system. An NBC research department memo summarized the pilot's performance among the respondents as 'Weak', which Littlefield called 'a dagger to the heart'.

Comments included, 'You can't get too excited about two guys going to the laundromat'; 'Jerry's loser friend George isn't a forceful character'; 'Jerry needs a stronger supporting cast'; and 'Why are they interrupting the stand-up for these stupid stories?' Seinfeld and David didn't see the memo for several years, but after they became aware of it, they hung it in a bathroom on the set. Seinfeld comments, 'We thought, if someone goes in to use this bathroom, this is something they should see.

It fits that moment.' When NBC announced its 1989–90 primetime schedule in May 1989, The Seinfeld Chronicles was not included, but supporters of the show didn't give up on it.

The pilot first aired on July 5, 1989, and finished second in its time slot against the CBS police drama, receiving a of 10.9/19, meaning that the pilot was watched by 10.9% of American households, and that 19% of all TVs in use at the time were tuned into it. The ratings didn't exhibit regional skew that Tartikoff predicted, much to the encouragement of the show's supporters. Despite the poor test results, Ludwin cancelled one of the specials budgeted for that season so that the entertainment division had the money to order six more episodes of The Seinfeld Chronicles, which formed the rest of, a move without which columnist later stated there would be no Seinfeld. Although this was a very low order number for a new series (the smallest sitcom order in TV history ), Castle Rock failed to find any other buyers when it shopped the show to other networks, and accepted the order. The show was renamed Seinfeld, but it wouldn't return to the airwaves until May 30, 1990, and it'd be another three years before it became a Top 5 ratings success. Preston Beckman, who was in charge of NBC's research department at the time, reminisced, 'The show was different.

Nobody had seen anything like it. It wasn't unusual for poor-testing shows to get on the air, but it was very rare that they became hits.' When it was first repeated on July 5, 1990, it received a rating of 13.9/26. These ratings were high enough to secure a second season.

NBC research showed that the show was popular with young male adults, a demographic sought after by advertisers. This gave NBC an incentive to keep broadcasting the show. One DVD reviewer, Britt Gillette, wrote that 'this initial episode exhibits the flashes of brilliance that made Seinfeld a cultural phenomenon.' High-definition versions [ ] There are two versions of Seinfeld. The first is that of the network TV (non-syndicated) versions in the original aspect ratio of 4:3 that were downscaled for the DVD releases.

Syndicated broadcast stations and the cable network began airing the syndicated version of Seinfeld in HD. Unlike the version used for the DVD, Sony Pictures cropped the top and bottom parts of the frame, while restoring previously cropped images on the sides, from the source, to use the entire 16:9 frame.

Reception and legacy [ ] Elizabeth Magnotta and Alexandra Strohl analyze the success of Seinfeld with recourse to the of humor: 'The Incongruity Theory claims that humor is created out of a violation of an expectation. For humor to result from this unexpected result, the event must have an appropriate emotional climate, comprised of the setting, characters, prior discourse, relationships of the characters, and the topic.'

Specifically, Magnotta and Strohl focus on ', where George is embroiled in yet another lie, and on ', where George tries to save a few dollars at Elaine's expense by giving her a marked-down sweater. Nod Miller, of the, has discussed the self-referential qualities of the show: Seinfeld is suffused with postmodern themes. To begin with, the boundary between reality and fiction is frequently blurred: this is illustrated in the central device of having Jerry Seinfeld play the character Jerry Seinfeld.

In the show's fourth season, several episodes revolved around the narrative of Jerry and George (whose character is co-creator Larry David's alter ego) pitching 'a show about nothing' based on the everyday life of a stand-up comedian to NBC. The reaction of the fictional NBC executives, by all accounts, mirrored the initial responses of those who eventually commissioned Seinfeld. The fourth season ends with, an episode focusing on the casting, taping and screening of the show-within-the-show, Jerry. This episode also illustrates neatly the self-referential quality which is one of Seinfeld's hallmarks. The series finale was so replete with references to earlier shows as to render it largely incomprehensible to those not already well-versed in the personae and preoccupations of the Seinfeld universe. Has edited an anthology of scholarly essays on philosophy in Seinfeld and Philosophy: A Book about Everything and Nothing. Some entries include 'The Jerry Problem and the ', 'George's Failed Zest for: An Aristotelian Analysis', 'Elaine's Moral Character', 'Kramer the 'Seducer ', 'Making Something Out of Nothing: Seinfeld, and the Tao', 'Seinfeld,, and ', 'Mr.

Peterman, the, and Me', and 'Minimally Decent Samaritans and Uncommon Law'. Main article: Seinfeld has received awards and nominations in various categories throughout the mid-1990s. It was awarded the for 'Outstanding Comedy Series' in 1993, for 'Best TV-Series (Comedy)' in 1994 and for 'Outstanding Performance by an Ensemble in a Comedy Series' in 1995, 1997 and 1998.

Apart from these, the show was also nominated for an Emmy award from 1992 to 1998 for 'Outstanding Comedy series', Golden Globe award from 1994 to 1998 for 'Best TV-Series (Comedy)', and Screen Actors Guild Award for 'Outstanding Performance by an Ensemble in a Comedy Series' from 1995 to 1998. Named it the greatest TV show of all time in 2002. And in 2013, they ranked it as the second greatest TV show. Consumer products [ ] A recurring feature of Seinfeld was its inclusion of specific products, especially, as plot points. These might be a central feature of a plot (e.g.,,,, bite size,,,, Coffee Cake and ), or an association of candy with a guest character (e.g.

Bars) or simply a conversational aside (e.g.,,, ). A large number of non-candy products were also featured throughout the series.

The show's creators claim that they weren't engaging in a product placement strategy for commercial gain. One motivation for the use of real-world products, quite unrelated to commercial considerations, is the comedy value of funny-sounding phrases and words. 'I knew I wanted Kramer to think of watching the operation like going to see a movie', explained Seinfeld writer/producer Andy Robin in an interview published in The Hollywood Reporter. 'At first, I thought maybe a piece of popcorn falls into the patient. I ran that by my brother, and he said, 'No, Junior Mints are just funnier.' ' Many advertisers capitalized on the popularity of Seinfeld. Created a where Jerry Seinfeld and an animated (voiced by, who played the role of Puddy) starred in its commercial.

The makers of the created the 'Spongeworthy' game, on their website, inspired by '. An advertisement featured Jason Alexander in a commercial. In this, Alexander acts much like his character George, and his relationship with plays on his George's relationship with Steinbrenner. Similarly, Michael Richards was the focus of a series of advertisements for which ran in Australia where he dressed and acted exactly like Kramer, including the trademark bumbling pratfalls. In addition, the show occasionally incorporated fictional products like a brand called 'Hennigan's' (a of ' and ') and a product called 'Beef-a-reeno' (a parody of '). Home video releases [ ] DVD releases [ ] released all nine seasons of Seinfeld on in Regions 1, 2 and 4 between 2004 and 2007.

On November 6, 2007, Seinfeld: The Complete Series was released on DVD. The complete series box set includes a 2007 'roundtable' reunion of the four main cast members and Larry David; only highlights of this were also included in the Season 9 set. Main articles: and Early in March 2009, it was announced that the Seinfeld cast would reunite for of. The cast first appeared in the third episode of the season, all playing their real life selves. The season-long story is that Larry David tries to initiate a Seinfeld reunion show as a ploy to get his ex-wife, Cheryl, back. Along with the four main characters, some Seinfeld supporting actors like, and appeared in the ninth episode at a table read for the reunion show.

Though much dialogue in Curb Your Enthusiasm is improvised, the plot was scripted, and the Seinfeld special that aired within the show was scripted and directed by Seinfeld regular, making this the first time since Seinfeld went off the air that the central cast appeared together in a scripted show. Comedians in Cars Getting Coffee [ ]. Main article: Jerry Seinfeld, Jason Alexander and Wayne Knight, playing their respective Seinfeld characters, appeared in a spot presented during halftime of the on February 2. Came up with the idea of doing such a spot, due in part to the Super Bowl's location being New York that year. An uncut version appeared on immediately afterward, as an episode of titled 'The Over-Cheer'. Although the spot was used to advertise Seinfeld's web series, it was not considered a commercial, as Sony, who produces the series, did not pay for it. Seinfeld has indicated that he thinks the webisode will probably be the last cast reunion, saying, 'I have a feeling you've seen the final coda on that very unique experience.'

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(2000) Summary of the paper: External links [ ] Wikiquote has quotations related to: Wikimedia Commons has media related to. • • on • at • at • •. • (1969) • (1970) •, / (1971) •, / (1972) •, / (1973) •, (1974) •, / (1975) •, / (1976) •, / (1977) •, (1978) • /, / (1979) •, / (1980) •, / (1981) • (1982) • (1983) •, (1984) •, (1985) •, / (1986) •, / (1987) •, / (1988) • (1989) •, / (1990) • (1991) •, / (1992) •, / (1993) •, / & (1994) • (1995) •, / (1996) •, (1997) •, / (1998) •, (1999) •, (2000) •, (2001) • (2002) • (2003) •, (2004) •, / (2005) •, (2006) • (2007) •, / (2008) •, (2009) •, / (2010) •, / (2011) •, (2012) •, (2013) •, season 1 (2014) •, season 1 (2015) •, season 1 (2016).

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This is an episode list of, an American television series that aired on from September 22, 2003 to February 15, 2008. The show focuses on a team of people working in the fictional Montecito Casino in dealing with issues that arise within the working environment, ranging from valet parking and restaurant management to casino security. The series originally aired on Monday nights, though NBC moved the series to Friday nights in 2006. The show is currently in syndication and airs in the United States on. Las Vegas ran for five years, a total of 106 episodes aired over 5 seasons. In the final season, only 19 episodes of the originally planned 22 episode season were filmed at the time the show was cancelled in 2008. The final episode ended with a cliffhanger with many issues left unresolved.

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Retrieved 2009-12-20. October 19, 2004. Archived from on November 5, 2014. Retrieved 2009-12-20. October 26, 2004. Retrieved 2009-12-20. November 9, 2004.

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May 17, 2005. Retrieved 2009-12-20. June 1, 2005. Retrieved 2009-12-20. External links [ ] • List of on • List of at •.