[PDF + MP3 (human)] + MP3 [Interpreted] + Video - Piano solo - Baroque * License: Public domain - From: The Well-Tempered Clavier. Mp3 played by Paulo Elpidio A. The six partitas for keyboard are the last set of suites that Bach composed and the most technically demanding of the three. They were composed between 1725 and 1730.

Musicnotes.com Johann Sebastian Bach ' Prelude No.1 In C Major' Sheet Music in C. 465 × 620 - 30k - gif music-for-music-teache. Free Bach Music for Piano, the Lovely and Easy Prelude in C in. 472 × 564 - 12k - gif musicnotes.com Johann Sebastian Bach ' Prelude and Fugue No.1 in C Major' Sheet. 465 × 620 - 36k - gif musicnotes.com Johann Sebastian Bach ' Prelude and Fugue No.1 in C Major, BWV 846.

465 × 620 - 35k - gif imslp.org Prelude and Fugue in C major, BWV 846 ( Bach, Johann Sebastian. 1114 × 1600 - 48k - png pianoshelf.com BWV 933 - Little Prelude in C major free sheet music by Bach. 700 × 957 - 237k - jpg virtualsheetmusic.com Bach - Preludes and Fugues, 48 - Book I and Book II sheet music. 730 × 1033 - 75k - gif sheetmusicplus.com Download Prelude In C Major Sheet Music By Johann Sebastian Bach. 450 × 582 - 33k - png imslp.org Prelude and Fugue in C major, BWV 846 ( Bach, Johann Sebastian.

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470 × 567 - 13k - gif imslp.org Prelude and Fugue in C major, BWV 545 ( Bach, Johann Sebastian. 1188 × 1600 - 45k - png pianoshelf.com BWV 846 - WTC, Book 1: Prelude and Fugue No. 1 free sheet music. 700 × 905 - 204k - jpg sheetmusic2print.com Bach: Prelude BWV 934 - Sheetmusic2print.com 735 × 1042 - 24k - gif commons.wikimedia.org File: Bach- Well-Tempered Clavier, Book 1 - 01 Prelude No.

1239 × 1753 - 298k - jpg all-music-sheets.com Prelude and Fugue in C Major - BWV 547 Bach Johann Sebastian. 500 × 700 - 229k - jpg imslp.org Prelude and Fugue in C-sharp major, BWV 848 ( Bach, Johann. 1200 × 1553 - 56k - png musicnotes.com Johann Sebastian Bach ' Prelude and Fugue No.3 in C# Major, BWV 848.

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JS BACH ON DRUMS Original New World Instrumental arrangements Bach produced a huge volume of classical instrumental music for the most advanced musical instruments of his day and now we have produced some new transcriptions arranged on New World instruments in MP3 format. In the seventies Wendy Carlos used Moog synthesizers to produce albums of re- interpretations of some of this music. Here we are offering a fresh approach based on combinations of some of the latest synthesizer instruments to bring fresh colours to the music and highlight the dazzling counterpoint. For the Fugues we hark back to Wendy and have combined Mega Moog Synthesizers with Steel Drums which heighten the drama and emphasize the sunnier side of his work. For the Toccatas and Brandenburg Concertos on the other hand we have used combinations of Marimba and Steel Drums to create a really cool sound.

Toccata were originally composed for the Harpsichord and so it is not surprising that they respond well to a percussion treatment. They are early works where the composer was able to give free reign to his musical imagination and virtuosity. By contrast JS Bach made the Fugue his own and we have created some examples presented on electronic musical instruments which aim bring out the excitement of the chase. Our Air, Fantasy, Invention, Partitia & Dance pieces present some rather playful interpretations of Bach's original material. Starting with the Choral Prelude we have used a couple of 'humorous' Brass synthesizers on the Moog - not quite Herbie Flowers but interesting. In the Fantasy arrangement we used a somewhat brighter synth to augment the Steel Drums because that seemed to fit better. Then as a contrast the Minuett uses a Celtic Harp and Marimba combination with the Harp very much to the fore.

For the Double Violin Concerto we have used two different Steel Drum synthesizer combinations to distinguish the two voices and the Marimba takes on the Orchestral part which T Walter had transcribed for Piano. This is made possible by the use of two 'slow' lush synth's to complement the Steel Drums and the Marimba taking over in the legato passages.

It is recorded as a single file rather than 3 separate movements. In D minor BWV 1043 The Flute concerto is a more straight forward arrangement with the Steel Drums taking the Flute part supported by a slow synth, the Marimba taking the main orchestral parts while another slow synth fills in for the Cello and the Log Marimba makes its first appearance as Basso Continuo.

Flute Concerto in A minor The Brandenberg Concertos were composed in 1721 for the Magrave of Brandenburg by way of a job application - it is not clear that they were performed until after the Magrave's death when the manuscripts were found by a pupil of Bach who appreciated their true value. They represent different interpretations of the orchestral or 'grosso' approach to the concerto form rather than the solo/orchestra and they have responded well to a simplified percussion interpretation involving Steel Drums, Marimba and Vibraphone. Brandenberg No 2 in F Major BWV 1047 Brandenberg No 3 in G Major BWV 1048 Brandenberg No 4 in G Major BWV1049 Brandenberg No 6 in B flat Major BWV1051. JS BACH ON DRUMS Original New World Instrumental arrangements Bach produced a huge volume of classical instrumental music for the most advanced musical instruments of his day and now we have produced some new transcriptions arranged on New World instruments in MP3 format. In the seventies Wendy Carlos used Moog synthesizers to produce albums of re- interpretations of some of this music. Here we are offering a fresh approach based on combinations of some of the latest synthesizer instruments to bring fresh colours to the music and highlight the dazzling counterpoint.

For the Fugues we hark back to Wendy and have combined Mega Moog Synthesizers with Steel Drums which heighten the drama and emphasize the sunnier side of his work. For the Toccatas and Brandenburg Concertos on the other hand we have used combinations of Marimba and Steel Drums to create a really cool sound. Toccata were originally composed for the Harpsichord and so it is not surprising that they respond well to a percussion treatment. They are early works where the composer was able to give free reign to his musical imagination and virtuosity. By contrast JS Bach made the Fugue his own and we have created some examples presented on electronic musical instruments which aim bring out the excitement of the chase. Our Air, Fantasy, Invention, Partitia & Dance pieces present some rather playful interpretations of Bach's original material. Starting with the Choral Prelude we have used a couple of 'humorous' Brass synthesizers on the Moog - not quite Herbie Flowers but interesting. Rada Manojlović I Cvija Nema Te Mp3 Download.

In the Fantasy arrangement we used a somewhat brighter synth to augment the Steel Drums because that seemed to fit better. Then as a contrast the Minuett uses a Celtic Harp and Marimba combination with the Harp very much to the fore. In the Chaconne we simply supported the Steel Drums with two synth's to give depth and body to the slower passages leaving out the Marimba. This approach aims to bring a freshness to the music, liberating it from the concert chamber and bringing it out into sunnier climes. For the Double Violin Concerto we have used two different Steel Drum synthesizer combinations to distinguish the two voices and the Marimba takes on the Orchestral part which T Walter had transcribed for Piano.

This is made possible by the use of two 'slow' lush synth's to complement the Steel Drums and the Marimba taking over in the legato passages. It is recorded as a single file rather than 3 separate movements. In D minor BWV 1043 The Flute concerto is a more straight forward arrangement with the Steel Drums taking the Flute part supported by a slow synth, the Marimba taking the main orchestral parts while another slow synth fills in for the Cello and the Log Marimba makes its first appearance as Basso Continuo. Flute Concerto in A minor The Brandenberg Concertos were composed in 1721 for the Magrave of Brandenburg by way of a job application - it is not clear that they were performed until after the Magrave's death when the manuscripts were found by a pupil of Bach who appreciated their true value. They represent different interpretations of the orchestral or 'grosso' approach to the concerto form rather than the solo/orchestra and they have responded well to a simplified percussion interpretation involving Steel Drums, Marimba and Vibraphone. Brandenberg No 2 in F Major BWV 1047 Brandenberg No 3 in G Major BWV 1048 Brandenberg No 4 in G Major BWV1049 Brandenberg No 6 in B flat Major BWV1051.